Moin constructs his narrative through a fusion of visual memory and imagination. His reliance on memory introduces a loss in translation, giving rise to stylized pseudo-historical monuments, familiar-yet-unrecognizable objects, and surreal landscapes that blur the line between reality and fantasy. His work evokes both familiarity and curiosity, inviting viewers to explore the intersections of the known and unknown.
His current interests include the evolutionary and devolutionary trajectories of societies, cultures, and traditions, as well as theological concepts spanning both theistic and atheistic perspectives. He remains open to new areas of exploration.
Throughout his practice, he has experimented with various mediums, including ballpoint pens, archival pens, graphite, oil, and acrylic paints. His preferred medium today is archival pen and acrylic paint.
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