Ufaq’s studio work delves into themes of cultural history, identity, religion, and power, often utilizing intricate patterns that merge historical and contemporary aesthetics. While Mughal miniature paintings are traditionally celebrated for their beauty and ornamentation, Ufaq takes a critical approach, reflecting on how, despite advancements in technology and the overwhelming presence of consumer products in modern life, fundamental aspects of human thought remain unchanged.
Through her art, Ufaq challenges perceptions of reality and fabrication, using detailed compositions to highlight the tension between authenticity and illusion. Her work blurs the boundaries between past and present, questioning how societal constructs and external influences shape personal and collective identities. By juxtaposing historical references with contemporary elements, she emphasizes the delicate balance between control and manipulation, inviting viewers to consider whether they are active participants in their own narratives or merely subjects of a larger, orchestrated play.
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