Farah’s work takes a critical view of social, political, and cultural issues in which she shows the contrast between desires, insecurities, and life change. She uses the language and style of traditional miniature paintings not only to bring them to life but also to infuse her work with a new way of visual sensibility that is multicultural yet rooted in her own culture; her sculptures are narrative ones. She uses paper, an eco-friendly material, as a metaphor for her personal identity, to sculpt and create a new structure for each work. It is a recurring process of destruction and reconstruction
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